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Book Review: Elizabeth Greenwoods Playing Dead

This latter story unfolds over the span of the book and functions as its dramatic and moral center. Greenwood presents her subjects as fake-death gurus, doling out second-life advice to her readers and herself. Throughout, she wonders whether she will really go through with her plan. Faking your own death or disappearing is not illegal in America, so long as you don’t file a police report or a death certificate, or try to get a library card, or file to collect life insurance. To provide some perspective, Greenwood notes that there are 90,000 people missing in the United States at any given time, but there have only been 564 reported cases of life-insurance fraud in the past 25 years. She focuses on the marquee cases of “pseudocide,” like those orchestrated by Ahearn, who, he says, charges his clients an average of $30,000. Greenwood’s single-minded pursuit of faked-death narratives, which are relatively rare compared to disappearances (even Ahearn doesn’t recommend it as a strategy), scarcely hides her fascination with the glamor of escapism. But even in the death-fraud underworld, access and authenticity are inseparable. Greenwood is not concerned with bodies so much as with the traces they leave behind, which, she suggests, have never been more varied than they are today, making them a worthy subject of her investigation. Nowadays, we have several additions to the list of traces: ever-present public cameras; government and corporate databases, choked with the personal stats of its citizenry; security and border checkpoints; and social media. Greenwood spins out her essays along trails of cash flow, digital footprints, grieving and complicit lovers.

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